A Rhetorical Examination of The Homeless and Their Children Essay

In â€Å"The Homeless and Their Children†, writer Jonathon Kozol clarifies how neediness and vagrancy can go connected at the hip, yet he additionally shows his perusers that the administration in New York City during the 1980’s didn't generally endeavor to help those out of luck. The creator gives us how the destitute and ignorant battled by imparting to us a meeting with a young lady called Laura who lived in a monstrous government assistance inn. Kozol didn't think that its important to compose this piece in a convincing tone, or a humane tone, or even an irate tone to communicate as the need should arise. He didn't have to incorporate a huge number of insights to persuade his perusers that vagrancy, lack of education, and legislative unresponsiveness were issues. As expressed in the early on passage that goes before Kozol’s selection, â€Å"Instead of contending irately for proficiency projects to spare the lives of poor people and unskilled, Kozol basically reports the instance of a solitary uneducated lady attempting to bring up her four children† (Kozol 304). At the point when the various parts of this wring are considered, it tends to be discovered that Kozol effectively used nuance and refinement, alongside striking symbolism, to address this issue so as to educate and persuade his perusers to stand firm against vagrancy and lack of education. As this was generally a passionate piece, there are next to no references to logos. Be that as it may, Kozol starts with a significant measurement toward the start: â€Å"Nearly 400 destitute families, including somewhere in the range of twelve hundred kids, were held up in the lodging, by game plan with the city’s Human asset Administration† (Kozol 304). This measurement is noteworthy on the grounds that it manufactures the author’s validity by giving substantial realities from the author’s research, and it likewise practices our... ...his goals well. He used each bit of the expository triangle to assemble a story that was anything but difficult to peruse, educational, and emotive. By utilizing the strategies he did, for example, remaining refined and apathetic, he permits his perusers to feel their own feelings and fuel their own inspiration. Once in a while, this methodology can be more grounded than when somebody mentions to you what you ought to do. Kozol has in fact made an extremely moving story, which no uncertainty has roused, educated, and perhaps changed a few personalities on this subject since its distribution. Works Cited Kozol, Jonathon. â€Å"The Homeless and Their Children.† The Prentice Hall Guide for College Writers. Ed. Stephen Reid. eighth ed. Upper Saddle River, N.J.: Pearson, 2008. Print. Climates, Barbara. Rachel and Her Children (Book Review). School Library Journal 34.7 (1988): 226. MasterFILE Premier. EBSCO. Web. 11 Feb. 2011.

Art Appreciation Essay Example | Topics and Well Written Essays - 1250 words

Workmanship Appreciation - Essay Example Lichtenstein made a wide exhibit of work and a lot of it has picked up places of noticeable quality among craftsmanship scholars. While Lichtenstein created a variety of work, maybe his work that most interests to me is ‘Stepping Out’ (as of now housed in the Metropolitan Museum of Art). There are various stylish reasons I value this show-stopper. Maybe the most conspicuous are on the grounds that the work joins both cubism and a comic book style. ‘Stepping Out’ actualizes Lichtenstein’s conventional comic book symbolism. Thusly the work is perceived as executing the conventional pop workmanship style (Livingstone, p. 113). The composition, Fig. 1 in the addendum, highlights two people. Apparently these people are a lady and a man, anyway Lichtenstein utilizes cubist like structures to darken simple and clear qualifications. The male figure is by all accounts recognizable however customary social shows of dress; he is wearing a cap, has short-cut hair , just as formal attire. On the other hand, the lady doesn't take on complete structure; rather her face is portrayed not in the customary type of the human head, however as a canvas. She just has one eye, which is inclined vertically. She has long light hair, red lips, and a yellow dress that appears to additionally arrange her with ladylike distinguishing proof. The division between the man and lady is obscured with the end goal that they appear to disintegrate into one another; this viewpoint on peculiarity is additionally seen through Lichtenstein’s slight utilization of pointillism on the correct side and left half of the lady and man’s faces, individually. These stylish components consolidate comic book styles with cubist articulation to make new expressive possibilities. Thusly I extraordinarily appreciate these mind boggling and half and half types of articulation. Another incredible factor that adds to my energy about the work is its situation as a fundamental work of Pop Art. Undoubtedly, while the work of art was made in the late 1970s one perceives that it rises up out of the 1960’s Pop workmanship tasteful (Osterwold, p. iv). The work itself is both connected to infesting patterns in Pop workmanship †a thought of style over substance, animation like structure †just as chronicled craftsmanship rehearses †oil on canvas (Tansay, p. 3). Moreover, it’s noticed that Pop craftsmanship normally actualizes pictures that are expelled from their setting of starting point. Inside this particular work both the man as acquired from the between literary components of Leger’s work, and the lady as unmistakably and clearly impacted from Picasso’s cubist style shows past pictures reconditioned into new structures. The comic book structure that Lichtenstein actualizes is likewise received from mass culture, a trademark component of Pop craftsmanship (Hapgood, p 21). Also, the post-current idea that uproots the acknowledgment of ‘high’ craftsmanship as the most advantaged artistic expression is reflected legitimately in Lichtenstein’s ‘Stepping Out’. In such matters, the work executes this comic book ‘mass culture’ structure as a methods for real social scrutinize. One perceives the juxtaposition between Lichtenstein’s tasteful style with cubist and surrealist points of view; this juxtaposition of structure appears to speak to a resulting incorporation of numerous voices of information and comprehension. At last, I value this stylish strategy in the way that investigates complex social worries with a style that has been customarily connected with basic diversion. The topic in this show-stopper is unpredictable. Tasteful investigation of Lichtenstein’

The Destiny of the Unevangelized Debate - 550 Words

The Destiny of the Unevangelized Debate (Research Paper Sample) Content: The Destiny of the UnevangelizedName:Institution:IntroductionThe question regarding the Destiny of the Unevangelized has left many scholars seeking answers in the scripture to see what GOD has to say about these people. It is unjustified to say what punishment GOD will give these people. Truth be told, Christ is the only way to heaven, he is the way, the truth and light. This paper discuss a different argument posed by theologies all over the world as we try to find the right answer for this long-standing question. To begin with, Armnians and Calvinist have found themselves in a tag of word over their ideologies. None of us is justified to judge the others ideology. Different individuals interpret the Bible in different ways though the message is the same. Some theologies argue that knowing GOD can take you to heaven while another suggests that GOD will forgive individuals who never got the chance to hear about him. Let assume there is someone on earth who died withou t hearing the word of GOD. Will this person go to heaven? The answer is they will be judged according to their conscience. Additionally, the bible is very clear on what salvation means to all of us. Those who suggest that knowing GOD can take you to heaven, they are all wrong. What they mean is that Jesus death on the cross was meaningless (John 3:16, 6:23). In addition, what comes in the query is if there is any hope for the Unevangelized who never were never reached by the gospel? If this person heard a sincere belief of one supernatural being, learn the gospel would not prevent him from entering the kingdom. (Jeremiah 29:13) seeks GOD and He will provide more light. The Bible also reminds us of GOD reaching the Ethiopian Eunuch in an extraordinary way (Acts 2:26-40).When GOD was creating man, the largest authority he gave man was the power to choose. Definitely, this is evident up to date, man is free to decide where he will go, but it is the desire of the Lord that we all make it to heaven. During the judgment day, man will have already decided his destiny. GOD will not condemn those who never believed in Him. If a person never heard the gospel, he will be judged according to their conscious. Here is an example I like to use. Let assume some lived in Africa in the early 16th century, at this time the missionary was yet to arrive in Africa therefore, the people of this era never heard the gospel of Christ. Where will they go? GOD will judge them according to their conscious; if a person of this era did something knowing it was wrong definitely that will qualify for a sin. This is bec...

The, Mexican Feminist Theorist Gloria Anzladua s An...

In Borderlands/La Frontera, Mexican Feminist theorist Gloria Anzladua’s introduces an analytical framework for considering the relationship between minority faces, spaces, and languages as they compete, interact and inform America’s institutionalized whiteness. While her book specifically deals with the â€Å"minority faces† of Mexican immigrants, the epigraph suggests, racial minorities who interact with historically white spaces cross a â€Å"border† that is at once culturally and linguistically metaphoric, and physically literal. Thus, Anzaldua’s frame of the â€Å"border† suggests that minority experience is a product of cultural collision—or â€Å"choque†Ã¢â‚¬â€that occurs as they enter into white spaces and are forced to mediate their lived experience with their new surroundings (Anzaldua, 28). This paper will use Anzaldua’s theoretical lens of â€Å"the border† to contextualize conversations of music and culture pertaining to American slavery. Anzaldua’s work differentiates between the â€Å"border† as a geographical space and the â€Å"Border† that is the intellectual and culture production that happens in the aforementioned geographical space (Anzaldua, 9). As such, I seek to historically and racially broaden Anzaldua’s lens in order to define the plantation as the â€Å"border† and the culture and music as the â€Å"Border† when analyzing American slavery. As American slaves physically border their masters, they navigate the cultural and political borders between Slavery and Freedom. One such cultural formation of

Analysis Of Atul Gawande s Being Mortal - 854 Words

Family Matters The relationships that are created with others define who we are as individuals, but the relationships we form with our family are unparalleled to that of any other. Family members are the people we count on in times of need and help make decisions that are in our best interest. Atul Gawande’s Being Mortal focuses on patients and their end of life care. On a visit to Lou Sanders, Gawande asked, â€Å"What makes life worth living to you?† and Lou hesitated before answering, â€Å"I have moments when I would say I think it’s time, maybe one of the days when I was at a low point†¦Ã¢â‚¬  As people near death, they have this innate fear of dying where they may want to have every intervention possible. However, patients nearing the end of their life due to medical issues often have clouded judgment and may not be in a position to determine what step they want to take next or may even be a minor, legally unable to make decisions. In any case, family members or a guardian of the patient should be responsible for making end of life decisions for the patient. Cancer is a disease no one ever wants to have, let alone stage IV cancer. The National Cancer Institute classifies stage IV metastatic cancer as cancer that has spread to distant tissues or organs. Stage IV lung cancer patients, as described by the American Cancer Society, have a low prognosis and a five-year relative survival rate of one percent after diagnosis. Gawande shares the story of Sara Thomas Monopoli, age 34,Show MoreRelatedAnalysis Of Atul Gawande s Being Mortal1211 Words   |  5 Pagesthe prospect of death with patients. In Atul Gawande’s Being Mortal, Gawande delves into what really matters as life comes to an end, new ways of helping the elderly enjoy their waning days, and the role of doctors and medicine in curing diseases and dealing with patients. Sheri Fink, a reporter for the New York Times, reviewed this book on November 6, 2014 for The New York Times Sunday Book Review in â€Å"Atul Gawande’s ‘Being Mortal’†. She thinks Being Mortal is a â€Å"valuable contribution to the growing

Elements and Types of Painting Essay Example For Students

Elements and Types of Painting Essay What emerges is a beautiful expression of the artists inner feeling sadness, happiness, fear, anger, anxiety, stillness or peaceful, turbulence or chaos. It reveals through his brush or pen what he thinks and feels, giving the subject its meaning for the art lover to enjoy and draw meaning as well. ELEMENTS OF PAINTING 1. Distance there are 3 distances to looking for in a painting, The part of the painting closest to the viewer is called the foreground. The underground is the art between the foreground and the part which is farthest away is called the background 2. Color to convey feelings and moods within their painting. They can create a cheerful mood by placing bright colors next to each other, Kinds of Color Red action, confidence, courage, vitality Pink ? love, beauty Brown earth, order, convention Orange vitality With endurance Gold wealth, prosperity, wisdom Yellow Wisdom, joy, happiness, intellectual energy Green life, nature, fertility, well being Blue youth, spirituality, truth, peace Turquoise symbol of youth Aqua high ideals Purple royalty, magic, mystery Violet color of purpose. Associated with the Crown charka Indigo intuition, meditation, deep contemplation White purity, cleanliness Black ? death, earth, stability Gray sorrow, security, maturity 3. Light affect the of the subject and objects in the painting look real and solid if the artist shows the way light falls on them 4. Shape ? to express idea Geometric Shape suggest structure Natural/Organic Shape irregular; they have more curves and are uneven Abstract Shape have a recognizable form, but are not real. They are stylized or amplified versions Of organic shapes. . Medium is a complex Of materials and conventions, both Of Which have been modified and augmented over the years Materials in Painting Acrylic paint fast drying paint containing pigment suspension in acrylic polymer emulsion. It can be diluted with water, but become water resistant when dry Enamel paint is a paint that air dries to a hard, usually glossy, finish. Fresco is any of several related mural painting types, done on plast er on walls or ceilings. Geese is a powdered form of mineral calcium carbonate used in art. Glaze refers to a layer of paint, thinned with a medium, so as to become somewhat transparent. Gouache consisting of pigment suspended in water. Ink ? is a liquid that contains pigment and/or dyes and used to color surface to produce an image, text or design. Latex is the stable dispersion of polymer micro particles in an aqueous medium Magna is miscible with turpentine or mineral spirits and dries rapidly to a matte or glossy finish Oil paint is a type of slow-drying paint that consists of particles of pigment suspended in a drying oil, commonly linseed oil. Primer is a preparatory coating put on materials before painting. Sums ? is a ink sticks used for writing with a Writing brush, particularly in calligraphy, a style called in sums-e in Japan. Tempera egg tempera; is a permanent fast drying painting medium consisting Of colored pigment mixed with a water-soluble binder medium. Watercolors is the medium or the resulting artwork, in Which the paints are made Of pigments suspended in a water soluble vehicles. TYPES OF PAINTING Abstract paintings and drawings are a playground of visual delights. Abstract artists use form, color, line, texture, pattern, composition and process to present ideas and evoke emotions in a poetic, nonlinear fashion, Semi-abstract paintings pertaining to or designating a style tot painting or sculpture in which the subject remains recognizable although the forms are highly stylized in a manner derived trot abstract art. Sculpture the art tot carving, cutting or hewing hood, stone, metal, etc. , into statues, ornaments, etc. Or into figures as men, or other things; hence, the art of producing figures and groups, whether in plastic or hard trials. Paper Collage a technique of composing a work of art by pasting on a single surface various materials not normally associated with one another, as newspaper clippings, part of photographs, theater tickets and fragments of an envelop Figurative art or figurative describes artwork particular paintings and sculptures whi ch are clearly derived from real object sources and are therefore by definition representational. .u38dde8d65379c98e983466116edf3fa1 , .u38dde8d65379c98e983466116edf3fa1 .postImageUrl , .u38dde8d65379c98e983466116edf3fa1 .centered-text-area { min-height: 80px; position: relative; } .u38dde8d65379c98e983466116edf3fa1 , .u38dde8d65379c98e983466116edf3fa1:hover , .u38dde8d65379c98e983466116edf3fa1:visited , .u38dde8d65379c98e983466116edf3fa1:active { border:0!important; } .u38dde8d65379c98e983466116edf3fa1 .clearfix:after { content: ""; display: table; clear: both; } .u38dde8d65379c98e983466116edf3fa1 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u38dde8d65379c98e983466116edf3fa1:active , .u38dde8d65379c98e983466116edf3fa1:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u38dde8d65379c98e983466116edf3fa1 .centered-text-area { width: 100%; position: relative ; } .u38dde8d65379c98e983466116edf3fa1 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u38dde8d65379c98e983466116edf3fa1 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u38dde8d65379c98e983466116edf3fa1 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u38dde8d65379c98e983466116edf3fa1:hover .ctaButton { background-color: #34495E!important; } .u38dde8d65379c98e983466116edf3fa1 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u38dde8d65379c98e983466116edf3fa1 .u38dde8d65379c98e983466116edf3fa1-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u38dde8d65379c98e983466116edf3fa1:after { content: ""; display: block; clear: both; } READ: Martial Arts Influence in Indonesia EssayLandscape art is a term that covers the depiction of natural scenery such as mountains, valleys, trees, rivers and forest and specially art where the main subject is a vivid view with its element arranged into a coherent composition. Digital painting art that uses a computer. Woodwork paintings The art, craft or skill of making things in wood, carpentry Ceramics and ceramic art mean art objects such as figures, tiles and tableware made from clay and Other raw materials by process Of pottery. Photographs (photo) is an image created by light falling on a light-sensitive surface, usually photographic film or an electronic imagery such as a CDC or a COSMOS chip. Prints a reproduction of an original work of art made by a photoelectrical process.

Is what happens to Oedipus fair Are we supposed to respect him Would Sophocles original audience have agreed with your conclusions Why Essay Example

Is what happens to Oedipus fair Are we supposed to respect him Would Sophocles original audience have agreed with your conclusions Why Essay Sophocles uses a mixture of both visual and emotional imagery to create the morally questioning, Greek tragedyOedipus Tyrannos.He presents the audience with an intense drama, which addresses the reality and importance of the gods that the Greeks fervently believed in.The play also forces the audience to ask themselves if there is such a concept as fate. From the very beginning of Oedipus, it is made clear that his destiny be one of fate and worse.The irony is that Oedipus unknowingly repeatedly predicts his own fate:It was I who called down these curses on that man.Oedipus has unconsciously married his mother and killed his father, just as the Oracle predicted.Fate is proven to be unavoidable to Oedipus as the play shows a devout belief in the Greek gods.The Gods are seen as both protectors and punishers, who can turn fate back away.The gods are shown to have power over everything and everyone, and whoever ignores them will be cursed by the darts no one escapes.Oedipus is one of the se people who is seen to have ignored the gods warnings and therefore has brought a curse upon himself, and all those around him:Nothing grows in the earth, nothing in the wombs of the women.With the idea of fate comes the question of fairness.Does Oedipus deserve his pitiful destiny and if it was so pre-decided then why?It was yet again the Gods powers. It may be difficult to avoid pitying Oedipus, as despite his obvious sins, he is shown to be a respectable and honest man:I bear more pain for the people than for my own soul.Sophocles uses irony to increase your growing pity for Oedipus as he searches for theabomination that is soon to be revealed as none other than himself:That man must reveal himself to me.Oedipus is frantic to find the killer of Laios (his real father