Tuesday, May 19, 2020

The, Mexican Feminist Theorist Gloria Anzladua s An...

In Borderlands/La Frontera, Mexican Feminist theorist Gloria Anzladua’s introduces an analytical framework for considering the relationship between minority faces, spaces, and languages as they compete, interact and inform America’s institutionalized whiteness. While her book specifically deals with the â€Å"minority faces† of Mexican immigrants, the epigraph suggests, racial minorities who interact with historically white spaces cross a â€Å"border† that is at once culturally and linguistically metaphoric, and physically literal. Thus, Anzaldua’s frame of the â€Å"border† suggests that minority experience is a product of cultural collision—or â€Å"choque†Ã¢â‚¬â€that occurs as they enter into white spaces and are forced to mediate their lived experience with their new surroundings (Anzaldua, 28). This paper will use Anzaldua’s theoretical lens of â€Å"the border† to contextualize conversations of music and culture pertaining to American slavery. Anzaldua’s work differentiates between the â€Å"border† as a geographical space and the â€Å"Border† that is the intellectual and culture production that happens in the aforementioned geographical space (Anzaldua, 9). As such, I seek to historically and racially broaden Anzaldua’s lens in order to define the plantation as the â€Å"border† and the culture and music as the â€Å"Border† when analyzing American slavery. As American slaves physically border their masters, they navigate the cultural and political borders between Slavery and Freedom. One such cultural formation of

Wednesday, May 6, 2020

Analysis Of Atul Gawande s Being Mortal - 854 Words

Family Matters The relationships that are created with others define who we are as individuals, but the relationships we form with our family are unparalleled to that of any other. Family members are the people we count on in times of need and help make decisions that are in our best interest. Atul Gawande’s Being Mortal focuses on patients and their end of life care. On a visit to Lou Sanders, Gawande asked, â€Å"What makes life worth living to you?† and Lou hesitated before answering, â€Å"I have moments when I would say I think it’s time, maybe one of the days when I was at a low point†¦Ã¢â‚¬  As people near death, they have this innate fear of dying where they may want to have every intervention possible. However, patients nearing the end of their life due to medical issues often have clouded judgment and may not be in a position to determine what step they want to take next or may even be a minor, legally unable to make decisions. In any case, family members or a guardian of the patient should be responsible for making end of life decisions for the patient. Cancer is a disease no one ever wants to have, let alone stage IV cancer. The National Cancer Institute classifies stage IV metastatic cancer as cancer that has spread to distant tissues or organs. Stage IV lung cancer patients, as described by the American Cancer Society, have a low prognosis and a five-year relative survival rate of one percent after diagnosis. Gawande shares the story of Sara Thomas Monopoli, age 34,Show MoreRelatedAnalysis Of Atul Gawande s Being Mortal1211 Words   |  5 Pagesthe prospect of death with patients. In Atul Gawande’s Being Mortal, Gawande delves into what really matters as life comes to an end, new ways of helping the elderly enjoy their waning days, and the role of doctors and medicine in curing diseases and dealing with patients. Sheri Fink, a reporter for the New York Times, reviewed this book on November 6, 2014 for The New York Times Sunday Book Review in â€Å"Atul Gawande’s ‘Being Mortal’†. She thinks Being Mortal is a â€Å"valuable contribution to the growing

Elements and Types of Painting Essay Example For Students

Elements and Types of Painting Essay What emerges is a beautiful expression of the artists inner feeling sadness, happiness, fear, anger, anxiety, stillness or peaceful, turbulence or chaos. It reveals through his brush or pen what he thinks and feels, giving the subject its meaning for the art lover to enjoy and draw meaning as well. ELEMENTS OF PAINTING 1. Distance there are 3 distances to looking for in a painting, The part of the painting closest to the viewer is called the foreground. The underground is the art between the foreground and the part which is farthest away is called the background 2. Color to convey feelings and moods within their painting. They can create a cheerful mood by placing bright colors next to each other, Kinds of Color Red action, confidence, courage, vitality Pink ? love, beauty Brown earth, order, convention Orange vitality With endurance Gold wealth, prosperity, wisdom Yellow Wisdom, joy, happiness, intellectual energy Green life, nature, fertility, well being Blue youth, spirituality, truth, peace Turquoise symbol of youth Aqua high ideals Purple royalty, magic, mystery Violet color of purpose. Associated with the Crown charka Indigo intuition, meditation, deep contemplation White purity, cleanliness Black ? death, earth, stability Gray sorrow, security, maturity 3. Light affect the of the subject and objects in the painting look real and solid if the artist shows the way light falls on them 4. Shape ? to express idea Geometric Shape suggest structure Natural/Organic Shape irregular; they have more curves and are uneven Abstract Shape have a recognizable form, but are not real. They are stylized or amplified versions Of organic shapes. . Medium is a complex Of materials and conventions, both Of Which have been modified and augmented over the years Materials in Painting Acrylic paint fast drying paint containing pigment suspension in acrylic polymer emulsion. It can be diluted with water, but become water resistant when dry Enamel paint is a paint that air dries to a hard, usually glossy, finish. Fresco is any of several related mural painting types, done on plast er on walls or ceilings. Geese is a powdered form of mineral calcium carbonate used in art. Glaze refers to a layer of paint, thinned with a medium, so as to become somewhat transparent. Gouache consisting of pigment suspended in water. Ink ? is a liquid that contains pigment and/or dyes and used to color surface to produce an image, text or design. Latex is the stable dispersion of polymer micro particles in an aqueous medium Magna is miscible with turpentine or mineral spirits and dries rapidly to a matte or glossy finish Oil paint is a type of slow-drying paint that consists of particles of pigment suspended in a drying oil, commonly linseed oil. Primer is a preparatory coating put on materials before painting. Sums ? is a ink sticks used for writing with a Writing brush, particularly in calligraphy, a style called in sums-e in Japan. Tempera egg tempera; is a permanent fast drying painting medium consisting Of colored pigment mixed with a water-soluble binder medium. Watercolors is the medium or the resulting artwork, in Which the paints are made Of pigments suspended in a water soluble vehicles. TYPES OF PAINTING Abstract paintings and drawings are a playground of visual delights. Abstract artists use form, color, line, texture, pattern, composition and process to present ideas and evoke emotions in a poetic, nonlinear fashion, Semi-abstract paintings pertaining to or designating a style tot painting or sculpture in which the subject remains recognizable although the forms are highly stylized in a manner derived trot abstract art. Sculpture the art tot carving, cutting or hewing hood, stone, metal, etc. , into statues, ornaments, etc. Or into figures as men, or other things; hence, the art of producing figures and groups, whether in plastic or hard trials. Paper Collage a technique of composing a work of art by pasting on a single surface various materials not normally associated with one another, as newspaper clippings, part of photographs, theater tickets and fragments of an envelop Figurative art or figurative describes artwork particular paintings and sculptures whi ch are clearly derived from real object sources and are therefore by definition representational. .u38dde8d65379c98e983466116edf3fa1 , .u38dde8d65379c98e983466116edf3fa1 .postImageUrl , .u38dde8d65379c98e983466116edf3fa1 .centered-text-area { min-height: 80px; position: relative; } .u38dde8d65379c98e983466116edf3fa1 , .u38dde8d65379c98e983466116edf3fa1:hover , .u38dde8d65379c98e983466116edf3fa1:visited , .u38dde8d65379c98e983466116edf3fa1:active { border:0!important; } .u38dde8d65379c98e983466116edf3fa1 .clearfix:after { content: ""; display: table; clear: both; } .u38dde8d65379c98e983466116edf3fa1 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u38dde8d65379c98e983466116edf3fa1:active , .u38dde8d65379c98e983466116edf3fa1:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u38dde8d65379c98e983466116edf3fa1 .centered-text-area { width: 100%; position: relative ; } .u38dde8d65379c98e983466116edf3fa1 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u38dde8d65379c98e983466116edf3fa1 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u38dde8d65379c98e983466116edf3fa1 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u38dde8d65379c98e983466116edf3fa1:hover .ctaButton { background-color: #34495E!important; } .u38dde8d65379c98e983466116edf3fa1 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u38dde8d65379c98e983466116edf3fa1 .u38dde8d65379c98e983466116edf3fa1-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u38dde8d65379c98e983466116edf3fa1:after { content: ""; display: block; clear: both; } READ: Martial Arts Influence in Indonesia EssayLandscape art is a term that covers the depiction of natural scenery such as mountains, valleys, trees, rivers and forest and specially art where the main subject is a vivid view with its element arranged into a coherent composition. Digital painting art that uses a computer. Woodwork paintings The art, craft or skill of making things in wood, carpentry Ceramics and ceramic art mean art objects such as figures, tiles and tableware made from clay and Other raw materials by process Of pottery. Photographs (photo) is an image created by light falling on a light-sensitive surface, usually photographic film or an electronic imagery such as a CDC or a COSMOS chip. Prints a reproduction of an original work of art made by a photoelectrical process.